THIS CHARITY HAS BEEN REMOVED FROM THE CHARITY COMMISSION REGISTER

Finance Score: 0

Governance Score: 0

Support Score: 0

Removed: -50
No PartB

(no info on trustees)

Overall GiG Score: -50

INDEPENDENT OPERA

Financial Data ?

Income & Spending ?

Sources of Income ?

Y/E	Income £k	Spending £k	Surplus/ Deficit	Fundraising Cost £k	Total Funds £k	Unrestricted Funds £k	Mths Rsrvs	Staff
31/03/20	£224	£498	£-274	n/a	n/a	n/a	n/a	n/a
31/03/19	£261	£387	£-126	n/a	n/a	n/a	n/a	n/a
31/03/18	£821	£289	£532	£29	£585	£585	24.3	3
31/03/17	£131	£734	£-603	£0	£0	£0	n/a	0
31/03/16	£1,078	£421	£656	£0	£656	£656	18.7	2
05/04/15	£125	£189	£-64	n/a	n/a	n/a	n/a	n/a
05/04/14	£130	£83	£47	n/a	n/a	n/a	n/a	n/a
05/04/13	£77	£81	£-4	n/a	n/a	n/a	n/a	n/a

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Highest pay bracket: less than £60,000

Charity Commission for England and Wales

Listed activities

Arts/Culture/Heritage/Science

How it operates

Makes Grants to Individuals
Makes Grants to Organisations
Other charitable activities

Where it operates

Scotland, Throughout England And Wales,

Who it helps

Other Charities Or Voluntary Bodies
The General Public/Mankind

Who's supporting them? ?

We have no records of donations from grant makers.

How is it governed?

Trustees

Sorry we have no information about the Trustees.

Legal constitution

Charity registered in England & Wales, number: 1162432

Gift Aid

Registered with HMRC for Gift Aid

Policies in force

Complaints handling
Conflicting interests
Investment
Paying staff
Risk management
Safeguarding vulnerable beneficiaries
Volunteer management

Filing Record

8 returns made; all on time

Main office

Objectives

THE OBJECTS OF THE CIO ARE:1) TO ADVANCE EDUCATION THROUGH THE PROMOTION, SUPPORT AND ENCOURAGEMENT OF THE ARTS OF MUSIC AND DRAMA (INCLUDING OPERA, MUSIC, DANCING, SINGING AND ALL FORMS CONSTITUTING IN WHOLE OR IN PART OF MUSIC) AND IN PARTICULAR THE PROMOTION, ENCOURAGEMENT AND APPRECIATION OF OPERA; AND2) TO PROMOTE, IMPROVE AND ADVANCE THE ARTS, INCLUDING MUSIC, FOR THE PUBLIC BENEFIT PARTICULARLY (BUT NOT EXCLUSIVELY) BY THE PROVISION OF PERFORMANCE OPPORTUNITIES TO OPERA SINGERS, OPERA INSTRUMENTALISTS AND OPERA DIRECTORS DURING THE EARLY STAGES OF THEIR CAREERS

Data Sources