Finance Score: -3

Governance Score: 6

Support Score: 0

Spending falling: -1
Multiple Deficits: -2
No PartB

Good trustee age range: +3
Gender balanced board: +3

No supporters identified

Overall GiG Score: 3

SPLIT INFINITIVE TRUST

Main area of interest lies with the arts, in general and in education. Students are the Trust's priority area, and performing arts (dance, drama, music) are favoured, although other arts areas will be considered. Applications with a Yorkshire or regional focus are welcomed.

Analysis by Giving is Great

Positives:

The Board appears to be well diversified in terms of age and gender

Financial issues to consider:

A PartB annual return has not been required and so detailed financial information is not available from the online data
Spending has fallen significantly over the last 5 years relative to the previous period
On several occasions in recent years income has been less than spending

Financial Data ?

Income & Spending ?

Sources of Income ?

Y/E		Income £k	Spending £k	Surplus/ Deficit	Fundraising Cost £k	Total Funds £k	Unrestricted Funds £k	Mths Rsrvs	Staff
31/03/23		£23	£21	£3	n/a	n/a	n/a	n/a	n/a
31/03/22		£13	£9	£5	n/a	n/a	n/a	n/a	n/a
31/03/21		£14	£23	£-10	n/a	n/a	n/a	n/a	n/a
31/03/20	*	£27	£44	£-17	n/a	n/a	n/a	n/a	n/a
31/03/19		£0	£44	£-44	n/a	n/a	n/a	n/a	n/a
31/03/18		£50	£44	£6	£0	£0	£0	n/a	0
31/03/17		£50	£45	£5	£0	£0	£0	n/a	0
31/03/16		£30	£45	£-14	£0	£0	£0	n/a	0
31/03/15		£51	£44	£7	£0	£0	£0	n/a	0
31/03/14		£31	£50	£-19	£0	£0	£0	n/a	0
31/03/13		£0	£39	£-39	£0	£0	£0	n/a	0
31/03/12		£63	£45	£18	£0	£0	£0	n/a	0
31/03/11		£0	£42	£-42	£0	£0	£0	n/a	0
31/03/10		£50	£35	£16	£0	£0	£0	n/a	0
31/03/09		£53	£30	£23	£0	£0	£0	n/a	0
31/03/08		£55	£30	£25	£0	£0	£0	n/a	0
31/03/07		£32	£28	£5	£0	£0	£0	n/a	0
31/03/06		£102	£23	£79	£0	£0	£0	n/a	0

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Highest pay bracket: less than £60,000

Established: 19 years

www.splitinfinitivetrust.co.uk

splitinfin@haydonning.co.uk

00000000000

Charity Commission for England and Wales

Listed activities

Arts/Culture/Heritage/Science
Education/Training
General Charitable Purposes
The Prevention Or Relief Of Poverty

GiG Classification

Performing and visual arts

How it operates

Makes Grants to Individuals
Makes Grants to Organisations

Where it operates

Scotland, Throughout England And Wales,

Who it helps

The General Public/Mankind

Who's supporting them? ?

We have no records of donations from grant makers.

How is it governed?

Trustees (5)

Current Trustees appointed

Gender Split

Age Range of Trustees: 43-83

SIR ALAN AYCKBOURN CBE

HEATHER ELIZABETH STONEY Appointed: 2005, Occupation: Company Director

KATHERINE ANN DUNN-MINES Appointed: 2013, Occupation: Executive Assistant

NEIL ADLEMAN Appointed: 2005, Occupation: Solicitor, Other trusteeships: THE PEGGY RAMSAY FOUNDATION, CHICHESTER FESTIVAL THEATRE, SHEFFIELD THEATRES CRUCIBLE TRUST,

PAUL ALLEN Appointed: 2005, Occupation: Journalist, Other trusteeship: BOWNESS THEATRE FESTIVAL LIMITED,

Legal constitution

Charitable company registered in England & Wales on 08/07/2005, number: 1110380
Registered at Companies House on 15/03/2005, number: 05392995

Gift Aid

NOT registered with HMRC for Gift Aid

Policies in force

Complaints handling
Complaints policy and procedures
Conflicting interests
Internal risk management policy and procedures
Investing charity funds policy and procedures
Investment
Paying staff
Risk management
Safeguarding policy and procedures
Safeguarding vulnerable beneficiaries
Trustee conflicts of interest policy and procedures
Trustee expenses policy and procedures
Volunteer management

Filing Record

18 returns made; AR20: 25 days late,

Main office

SPLIT INFINITIVE TRUST
PO BOX 409
SCARBOROUGH
YO11 9AJ

Objectives

THE CHARITY'S OBJECTS ARE TO:(I) ADVANCE EDUCATION FOR THE PUBLIC BENEFIT IN THE ARTS; AND(II) PREVENTION AND THE ALLEVIATION OF SICKNESS, POVERTY, HARDSHIP AND DISTRESS; AND(III) FURTHER ANY OTHER PURPOSES WHICH ARE CHARITABLE IN ACCORDANCE WITH THE LAW OF ENGLAND AND WALES FROM TIME TO TIME AS THE CHARITY THINKS FIT.

Defined Area of Benefit:

NOT DEFINED.

Data Sources